Julian's Reviews
Plays we have seen and what we thought.
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Corn is Green Playbill, with Nicola Walker

The Corn is Green

  • Venue: National Theatre (Lyttleton)
  • Date: 26th April 2022
  • Written by: Emlyn Williams
  • Directed by: Dominic Cooke
  • Staring: Nicola Walker

Interesting revival

Just back from The Corn is Green at the Lyttleton Theatre, Emlyn Williams’ 1938 semi-autobiographical play, staring Nicola Walker as the English school teacher L C Moffat who redeems and tutors a semi-literate (and Welsh speaking) boy destined for the mines.

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A hand holding the Anyone Can Whistle playbill

Anyone Can Whistle

  • Venue: Southwark Theatre
  • Date: 21st April 2022
  • Written by: Stephen Sondheim
  • Directed by: Georgie Rankcom

Flopping on Broadway means nothing!

Just back from Sondheim’s Anyone can Whistle at the Southwark Playhouse .

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Playbill for The 47th with Bartie Carvel as Trump

The 47th

  • Venue: The Old Vic
  • Date: 31st March 2022
  • Written by: Mike Bartlett
  • Directed by: Rupert Goold
  • Staring: Bertie Carvel; Tamara Tunie & Lydia Wilson

Trump futures?

Just back from a late preview of The 47th at the Old Vic.

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Straight Line Crazy Playbill with Ralph Fiennes

Straight Line Crazy

  • Venue: Bridge Theatre
  • Date: 22nd March 2022
  • Written by: David Hare
  • Directed by: Nicholas Hytner
  • Staring: Ralph Fiennes & Danny Webb

The theatrical evils of town planning

Just back from Straight Line Crazy at the Bridge - David Hare’s new play with the excellent Ralph Fiennes playing Robert Moses, the New York State planner who totally changed the face of the State with his 30 years and more road building programme.

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The advertising flyer for the play with a coffin

Habeas Corpus

  • Venue: The Menier Chocolate Factory
  • Date: 12th January 2022
  • Written by: Alan Bennett
  • Directed by: Patrick Marber
  • Staring: Jasper Britton

Bennet Revived – different shocks from 1973

Just back from Habeas Corpus at the Menier, Patrick Marber’s revival of Alan Bennett’s 1973 farce.

This play, which leans on traditions from Whitehall Farces, from Commedia dell'arte (in its stock characters – even if with back stories and hinterlands from a different tradition) from Restoration Comedy (its naming conventions) and even Plautus (with a knowing slave/ servant) takes the basic innocence of Brian Rix and adds in the knowing sexuality of Joe Orton.

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